Analyses of films from Asia, Spain, and the Middle East. For a more complete list of my published reviews, please refer to the [Reviews] heading on page 5 within the Publications List.
Craven vs. Craven (Lacuesta, 2002)
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Antonio Gaudi (Teshigahana, 1985)
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Sephardic Music on Screen |
The Clay Bird
(Matir Moina, dir. Tareque Masud, BanglaDesh, 2007)
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Abordando a Gaudí
(Nagari #4 Miami) |
(click to view full essay in PDF) |
(click to view full essay in PDF) |
(click to view full essay in PDF) |
![Gaudi](https://braidednarrative.com/wp-content/uploads/2015/04/Gaudi-232x300.jpg)
(click to view full essay in PDF) |
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The Willow Tree
(Beed-e majnoon by Majid Majidi, 2005) |
Nobody Knows
(Daremo shiranai, dir. Kore-eda Hirokazu, Japan, 2004)
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Sansho the Bailiff
(Sanshō dayū, dir. Mizoguchi Kenji, Japan, 1954)
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Shadowlight Productions
(a review of recordings of the DVD pack of their performances) |
![](https://braidednarrative.com/wp-content/uploads/2015/06/AC-Willow-Tree-cover-192x300.gif)
(click to view full essay in PDF) |
(click to view full essay in PDF) |
![SanshoCover](https://braidednarrative.com/wp-content/uploads/2015/06/SanshoCover-190x300.gif)
(click to view full essay in PDF) |
![ShadowlightCover](https://braidednarrative.com/wp-content/uploads/2015/06/ShadowlightCover-189x300.gif)
(click to view full essay in PDF) |
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Sense of Home
(omnibus film coordinated by Kawase Naomi, 2011)
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Secuencias no. 52 2021 (Spain) |
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(click to view full essay in PDF) |
(click to view full essay in PDF) |
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